- Jack Swart has over 25 years experience in all facets of cinematography, lighting, sound and editing and can operate as part of a large crew or as as one man band.
Recently finished 6 months in Africa on Mad Max Fury Road and 3 months shooting travel docos all around Australia.
Using the best equipment, Jack will bring the cinema look to your production.
- 4K CINEMATOGRAPHY
Sony PMW F5 Cine Alta 4K digital cinematography camera.
Shooting in HD, 4K and raw and up to 240fps
GoPro Hero 4 waterproof 4K microcam
- CINEMA LENSES
35mm, 50mm, 85mm T2 PL prime lenses
RED 18-50mm T3 PL zoom, RED 18-85mm T3 PL zoom, RED 50-150mm T3 PL zoom
Sony 18-252mm FZ zoom, Cooke 25-250mm PL zoom, Tokina 11-16mm T3 PL zoom
4" Small HD on camera monitor, 7" HD wireless monitor, 17” Sony OLED monitor
Sachtler tripod 150mm bowl, Miller Solo Carbon fibre tripod 100mm bowl
GlideGear dolly with 4m of track
Sound Devices 552 mixer / recorder with Ambient Lockit wireless timecode slate
- 2 Sennheiser MKH 416 wireless shotgun mics
2 DPA 4071 lav mikes, 2 Sony ECM 77 lav mikes with 4 Sony UHF transmitters
3 stereo UHF receivers for 3 camera shoots
Lighting kit with an assortment of Arri lights, Lowell soft lights and
Dedos, 12v LED light panels plus gels, reflectors and on camera LED light
Subaru Forester AWD camera car
UHF walkie talkies
- 4K POST PRODUCTION
DaVinci Resolve, Premiere CC, Final Cut Pro X, After Effects and Fusion
Tangent Elements colour grading panel
Dual 27" monitors, 17" Flanders Scientific HD grading monitor